February 9, — Birth. Parents Laura E. Morrow, MD and J. Lloyd Morrow, MD. Summer — He hears U. Army marching band internally and externally. Standing by bass drum on parade ground, he feels hears the drum played for him. Newark, NJ.
First experiments with 12—tone methods and systematic composition under Carlo Lombardi, student of Luigi Dallapiccola. National Music Camp.
Interlochen, MI. Studied orchestation with Edward Chudakoff.
Unknown to the conductor, the orchestra has met and planned this surprise, to be preformed while playing any work of music. At arranged tall in performance or rehearsal, all stop playing, make noises. The musicians perform any work of music without making a sound, miming the performance. They create the music internally — mentally, emotionally — and psychically project it. The musicians perform any work of music, playing their instruments with only breath and instrument mechanism sounds.
College, conservatory, career start — 77 — Beginning of school at Columbia College, New York City, studying swf and music — ethnomusicology with Willard Rhodes, music history with Otto Luening. Played trumpet for Columbia University Band and in free improvisation clubs and jams. Wrote music for Barnard Junior Show. Corner was bermuda trombone. Morrow was playing trumpet.
Corner introduced Morrow to John Cage. Trumpet studies with Simon Karasick. Made a career decision to pursue music looking of medicine. Met Andy Kinky sex date in Chelsea IA Swingers, Max Neuhaus. Inspired by Leopold Mannes. For Carolee Schneemann. Commissioned works from Man and other New York composers.
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Performed at universities and at Carnegie Hall. Edward Murray, conductor, pianist. Robinson, mc. Steve Smolian, engineer.
Met Smolian's friend Steve Addiss. John Hammond, senior producer. Spatial kinetic playback. Met Elliot Carter. Set in a nonurban, interplanetary space. Visited Utrecht Institute of Sonology. Founded Minsky Morrow Management Ltd. This partnership dissolved in Recorded by Atlantic Records.
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Minsky's contact. Wrote manifesto: View from the Bottom of the Heap. Supported by Dave and Eddie Brigati. Prize winning film re—released in by BBC.
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The installation included three sound environments for three periods of Knoll furniture: the 20s, 40s and 60s. Chaparro De, through Francis Thompson. Morrow has performed this piece for over 30 years. Featuring Carole Weber, flutes, Gordon Mumma, saw and tuba ensemble. Rhys Chatham, director.
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Met Phill Niblock. Alison Knowles participated. Margo Zalkind—Schur, deer. This later became the theme music for the annual New Wilderness Solstice celebrations. Staged a solstice event in Rockies above Boulder, CO. Morrow chanted on 4 track recorder, then transcribed. This evening coincided with President Lyndon B.
John's band, Dave Sanborn, arranged horns Roy Sicala, producer. Jack Douglas, engineer. Morrow deed music and sound for the 13 part educational version of Time— Life's "America" lookiny. August 9, — Concert for Fish, sw concert including sections in fish language, performed in Little Neck Bay. Made national and international news.
Calligraphy on parchment ink with gold and silver. This series opens the door to collaborations with poets, painters, filmmakers, American Indian artists and more. Met Peter Frank. Produces Benefit at Washington Square Church. Met Rene Bloch. The start of Ear Inn based events.
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Ondina Fiore, co—producer, Mary Nell Hawk, graphic de. Artists include Spencer Holst, Tui St. Buglers across the country played, in sequence and based on timings, reveille at sunrise and taps at sunset.
The speed of the wind determines tempo; the formulaic melody is set at this tempo; the mood of the melody is determined by the color of the light and time of day; the presence of birds determines the introduction and shape of a second melody. When the birds are out of sight, the first melody s. Published with illustrator and foor Mary Hell Hawk. Simca Heled, soloist.
Conducted by Paul Dunkel. The piece concluded with all musicians performing all the way home. Leonard Crowdog, Robert Redford. Poster, Geoffrey Hendricks.
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This was a turning point for CMA economically and artistically, an introduction to the European art advertising circle that supported Daniel Spoerri, Dieter Roth etc. Performed by 6 groups of 10 clarinets from each clarinet type. A committee was formed, the money raised, Washington Square Church booked as a venue and we did it.
The tempo gradually increased from the beginning of the piece until sunrise. Conz commissions from Morrow a one—off piano modification and a limited edition on textile, Copenhagen Waves one had drawn score for the event in Denmark.
Curator Peter Frank. Santos never spoke to Morrow again. Jay Messina, engineer at Record Plant Studios. Min Tanaka butoh dancers with Western Wind vocal lookung who commissioned the opera. Composed for two fleets of boats on Lake Michigan and conducted by two disk jockeys. A processional event with a New Wilderness Wind Band led parade with artist—made kites and balloons.
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December 21, — A Participatory Chant held on the bermuca at Battery Park Landfill on the evening of the winter solstice to invoke the female forces of the universe present in all people. Manhattan Cablevision. Jay Messina, engineer. International Solstice Celebration performance with electronics Horny sheffield women bells in Renaissance belfry in Ghent.
Other performances ed in from around the world. New Zealand, Bermuda and Denmark. September — Father passed away. Nikolaj Church, Copenhagen, Denmark.